Upload new images. The image library for this site will open in a new window.
Upload new documents. The document library for this site will open in a new window.
Show web part zones on the page. Web parts can be added to display dynamic content such as calendars or photo galleries.
Choose between different arrangements of page sections. Page layouts can be changed even after content has been added.
Move this whole section down, swapping places with the section below it.
Check for and fix problems in the body text. Text pasted in from other sources may contain malformed HTML which the code cleaner will remove.
Accordion feature turned off, click to turn on.
Accordion featurd turned on, click to turn off.
Change the way the image is cropped for this page layout.
Cycle through size options for this image or video.
Align the media panel to the right/left in this section.
Open the image pane in this body section. Click in the image pane to select an image from the image library.
Open the video pane in this body section. Click in the video pane to embed a video. Click ? for step-by-step instructions.
Remove the image from the media panel. This does not delete the image from the library.
Remove the video from the media panel.
The magazine illustration was created using David M. Brinley's painting, lettering by Jon Valk and a photo by Fredrik Broden.
David Brinley, an associate professor of art
at the University of Delaware, created a painting that appears as part
of a dramatic and controversial illustration for a magazine article on
the growing use of heroin in rural America.
The article, The New Face of Heroin, which appears in the April 10 edition of Rolling Stone
magazine, focuses on Vermonts current epidemic of addiction as a
reflection of a national problem. To illustrate the story, Brinley
painted an iconic Vermont scene of a workman sitting among trees in a
snow-covered landscape, but in this case, the man is injecting heroin.
Brinley explains: I did the painting, and a label was created, which
was then printed out and wrapped on a syrup can to be photographed for
the [magazine] by Fredrik Broden. The result is a traditional-appearing
can of maple syrup sitting on a checked tablecloth, but the image on
the can is Brinleys painting.
He calls it a unique opportunity/collaboration with Rolling Stone art director Mark Maltais.
Since the magazine appeared on newsstands last week, the illustration
has drawn attention and controversy in Vermont. Some residents
commenting on the website of WCAX-TV in Burlington have said the article
and illustration unfairly damage the reputation of the state and those
who work in the maple syrup industry, while others have urged policy
makers to address the states problem of heroin addiction.
Brinley, a 1994 graduate of UD who also earned degrees from the Art
Center College of Design in Los Angeles and a masters degree from the
University of Hartford Art School, is an award-winning painter and
illustrator. His work has appeared in numerous national publications,
including Time, Entertainment Weekly and the New York Times magazine, as well as in gallery exhibitions.
Move this whole section up, swapping places with the section above it.