Peter
Williams has been exploring issues of African American identity and
experiences in his paintings for the half-century he has spent as an
artist.
Now, as the University of Delaware professor of art prepares to
retire from the faculty in August, he says his artistic journey will
only continue and develop as it gains additional support from a newly
awarded Guggenheim Fellowship in Fine Arts. Williams is one of 184
American and Canadian scientists, scholars, artists and writers to
receive a 2021 award from the Guggenheim Foundation.
“Mine isn’t for a particular project; it’s for whatever I want to do
with it,” Williams said of the prestigious fellowship. “I want to
explore the medium in different ways — to try to make sense of what I’ve
learned in my 69 years of life.”
The specific Guggenheim awarded to Williams was established this year
by actor Robert De Niro, who collaborated with the John Simon
Guggenheim Memorial Foundation to underwrite the award in fine arts. It
honors De Niro’s late father, artist Robert De Niro Sr., who himself
received a Guggenheim Fellowship in 1968, providing professional and
financial support that, his son said, “made all the difference” and
marked a turning point in his father’s career.
“As I understand it, Robert De Niro wanted to repay the Guggenheim
and honor his father at the same time, and my work was selected,”
Williams, who has not met De Niro, said of being the inaugural honoree.
“I was the lucky recipient of that payback.”
Williams uses narrative and storytelling in his art, which features
vivid colors and cartoonish caricatures that challenge viewers to think
more deeply about the dark issues they often represent. He said he has
always included themes of cultural identity and representations of
African Americans in his paintings, often inserting Black characters and
racial imagery.
In recent years, and particularly since the beginning of the Black
Lives Matter movement, many of his paintings have focused on issues of
systemic racism, including violence against African Americans, slavery
and mass incarceration. He has said that he always “believed in the idea
of bearing witness to the times in which you live.”
Williams’ current work, he said, is incorporating the emergence of
environmental factors into “this bigger project” he’s been exploring for
his entire career — that of the Black experience.
He has a solo show, running until May 15, in the Freight + Volume
gallery in Manhattan’s Tribeca neighborhood. The paintings in “Black
Exodus” depict his Afrofuturist vision in which a race of people escapes
into outer space to seek new planets where they can live without
oppression.
The characters in the paintings “struggle against their environment
to realize their destiny,” according to the gallery. “While his personal
take on Afrofuturism often comes off as childlike and humorous, the
viewer can read into his otherworldly vistas the labors that will have
to be reckoned with to realize a new collective identity and freedom.”
To take a virtual tour of “Black Exodus,” visit the gallery’s website.
The Guggenheim is just the latest in a career filled with honors.
Williams has won numerous awards, including the Whitney Biennial in
2002, Djerassi Resident Artists Program in 2018, Joan Mitchell Award in
2004 and 2007, a Ford Foundation Fellowship in 1985-87 and the Wynn
Newhouse Award in 2012. In 2018, he was inducted into the National
Academy of Design.
He has had many exhibitions throughout the U.S., and his work is
included in such permanent collections as the Detroit Institute of Arts,
Walker Art Center in Minneapolis, Whitney Museum of American Art,
Delaware Art Museum and Howard University. In 2019, the Smithsonian
American Art Museum acquired his 2018 painting “A Foolish Trick,” making
him only the third Delaware artist listed in the museum’s collection.
Williams, who earned bachelor’s and master’s degrees in fine arts,
joined the UD faculty as a full professor in 2004 after teaching for 17
years at Wayne State University, where he was described as a mainstay of
the Detroit arts community. At UD, he has taught painting and drawing
classes.
Article by Ann Manser; photo by Evan Krape
Published April 27, 2021
